Why Are Bands Playing Theaters Rather Than Clubs?

The Tooners’ front man, lead singer and bassist, Greg Piper, also performs in the John Lennon tribute show Just Imagine. They’ve performed Friday, Saturday and Sunday at the Hayworth Theater for months at a time. They attract enough attendance that they’ve been able to make the show their regular job, pay their mortgage, feed and cloth their children, etc. Because they don’t own the theatrical rights to John Lennon’s music the Just Imagine show isn’t a play but more like an elaborate tribute band show, a very good tribute band show that lasts ninety minutes.

The Hayworth is a two hundred seat theater, tickets can cost up to sixty dollars and they always have a respectable crowd so my question is this; why does a band have get booked into a theater to play regularly enough to make a decent living when there are so many clubs in town?

Why wouldn’t a club want a regular crowd guaranteed every weekend? Even with a proven track record a band like the one doing Just Imagine can’t get booked into a club for more than one night at a time. This doesn’t make any sense to me.

Fortunately, Weber’s at 19312 Vanowen in Reseda is allowing Greg’s other show, Rock & Roll Rehab, a chance to build a following with a regular 9:00 slot on Tuesday nights (Greg’s busy on the weekends- see above) starting April 10.  Come on down for the FREE opening night!

My Dream Job Nightmare

When I was a kid if you asked me what my ‘dream job’ was I would have said what I am doing now (only getting paid), which is write and produce recordings of my original songs then make animated films that illustrate them. I would not have known the term music video as it hadn’t been coined yet and I may not have been able to adequately describe what I was imagining without that frame of reference so I usually would answer that question with my second best job ambition. I wanted to be a cartoonist. Not a newspaper cartoonist, they work too hard, but a magazine cartoonist whose work is published just once a month. And not just for any magazine but specifically a Playboy Magazine cartoonist.

I was a big fan of Playboy cartoons, yes, I’m serious, I really liked the cartoons. I even went to a book signing of my favorite Playboy cartoonist, Gahan Wilson, a few years ago.

Back in the Eighties I interviewed with the fledgling Playboy Channel who were looking to produce some animated cartoons as buffers on their network. They were losing to the newfangled Internet and other cable porn outlets because as Playboy they had certain standards and were limited in what they could show. But with animation anything goes and they wanted some real nasty, hardcore stuff. However, they didn’t pay enough to allow me to rent studio space for their production and working on the sort of films they wanted at home when I had three little boys running around wasn’t feasible.

The reason I bring up that episode was because while I was in the Playboy Channel’s waiting room before my meeting I looked through some of the new issues of the magazine which I hadn’t read in years (refer to the aforementioned three little boys) hoping to see some of the new cartoons by my old favorite artists. What I found, to my horror, was that most of the cartoons were reprints from issues old enough for me to have recognized. Some of the cartoons in the new issues were from cartoonists who had died in the Seventies. It seemed that Playboy Magazine no longer published enough new cartoons to qualify as a legitimate income source. My dream had died.

A few years earlier my late brother had told me that a friend of his mother was the receptionist at PlayGIRL Magazine and she could set up a meeting for me with that magazine’s cartoon editor. Her daughter had gone to school with me and had been a Playboy Playmate of the Month (February, as I recall). I was not at all acquainted with Playgirl Magazine but it was published by Playboy Enterprises and was perhaps a stepping stone to my dream job at Playboy. I figured there couldn’t be that much difference between a dirty joke for a man and a dirty joke for a woman, or rather a gay man which was really Playgirl’s audience so I put my old cartoons in a manila envelope and went down to Playgirl Magazine.

I sat in the waiting room of Playgirl Magazine holding my envelop of cartoons when several other young men about my age came in to wait. They also carried manila envelopes with them. As I sat there worried that this cartoon editor had called a ‘cattle call’ for cartoonists and that I was going to have to compete with all these other guys I noticed them looking at me very strangely. They seemed to be smirking, as if they already knew their cartoons were better than mine and that I was just wasting my time. Then an assistant to the photo editor came into the waiting room and called in one of the young men. As he entered into the office the editor asked him if he brought his shots to which he responded by lifting up his envelope. I suddenly realized why all these guys were laughing at me. Their envelopes contained photographs of them in the nude as promo shots hoping to get in the magazine as a male centerfold. With my longhair, full beard and un-worked out physique I certainly was laughable as a male model and I was horrified that anyone would think that I was sitting here with nude photos of myself thinking I had a chance at being a male model for Playgirl Magazine. I instantly tore open my envelope and threw the cartoons on the floor, laying them out as if I had just decided to review them again and put them in an order for the cartoon editor. Then I loudly asked the receptionist, my brother’s friend’s mother, if the cartoon editor knew I was waiting.

I finally did get my meeting with the cartoon editor who found my cartoons offensive to women. Apparently women have a much different dirty sense of humor than men in that they objectify men whereas Playboy cartoons tended to objectify women. Who knew?


Radio Station KCSN

I recently took a tour of radio station KCSN located on the campus of California State University Northridge (CSUN) where my wife graduated and I came close. My mother was a cancer patient and as is common in cancer patients she contracted a terribly painful case of Shingles from which I caught Chicken Pox. Chicken Pox at ten years old is usually no big deal but at twenty-one it was awful. I starting getting sick on the day of registration for the spring semester. Had it been for the fall semester I simply would have returned to school in the spring. Had it been during the summer there would have been no big problem returning in the fall but as it was I had to wait all spring and all summer to return in the fall and my parents insisted I was not on vacation but had to work if I wasn’t going to school. I went back to work at Hanna-Barbera Studios where I had worked during the summer immediately out of high school and after a couple of months I made the move to Ralph Bakshi Studios to work on a movie.

After months of employment which paid the kind of pay rate that my father, a grammar school teacher, claimed took him years to get, I was faced with the decision to either continue working or return to school. Since returning to school essentially meant continuing to remain living at home, I decided to continue working and get my own apartment.

The campus of CSUN was virtually unrecognizable to me when I visited the radio station which is located in a huge new media building. Shiny, new and of glass and steel the new building is quite impressive and hopefully earthquake resistant. The radio station was surprisingly roomy and clean as most radio stations I’ve seen are tiny, cramped and well lived-in.

Surprisingly, KCSN, while promoting itself as being on the campus of CSUN is not a student radio station. Its target audience is not the students but the older rock and roll fan demographic of the San Fernando and Santa Clarita Valleys. Their program director, Sky Daniels, and new DJ, Judd the Fish, are both long time Classic Rock radio people and Terri Nunn of the band Berlin has a weekend show. The only student participation comes from the news reports which are compiled by journalism students. I was a journalism student myself when I was at Northridge, although I was on the staff of the school newspaper as a political cartoonist, not as a reporter. Years after what should have been my graduation from CSUN I returned to see about advertising my illustrated lyrics magazine, PaperCuts, in the school paper and visited the newspaper office. I was happy to see one of my old cartoons set up on a file cabinet, still there after all those years.


Animator Jim Duffy

I know that with yesterday's post this blog is really going to be a downer but I just learned that an animator who was one of the gang at Murakami-Wolf Studios where I started in the 1970s just died.

Jim Duffy was a big, affable guy with a full beard, a beautiful young wife and twin baby girls when I first met him. I was an assistant animator and Jim was one of the crew of animators that I worked for during the production of the movie The Extraordinary Adventures Of The Mouse And His Child. Later he was one of the directors of the television series at Klasky-Csupo Productions where I worked with him as an Animation Timing Director on such shows as Rocket Power and The Wild Thornberrys.

Animation is a bit of a thankless job as the people who bring beloved characters to life do so in complete anonymity. Without them the ageless characters that seem to live forever couldn't exist at all yet they often live their entire lives without anyone but their closest friends and relatives knowing they are the very life force of these big stars. Jim Duffy was a star himself and those of us who knew him knew that. Rest in peace Jim.

Gary Gladstone The Mix Doctor

Gary Gladstone, AKA The Mix Doctor, shot himself a couple days ago due to unbearable chronic pain. According to his landlady the pain was in his shoulder and may have been the result of a recent facial laser peel treatment.

There seems to be an epidemic of extreme shoulder pain with victims that include not only Gladstone but The Tooners’ drummer Pat Meehan, Arnold Schwarzenegger and Sylvester Stallone who both recently had shoulder surgery and even my wife Sarah who suffered for months with a condition called Frozen Shoulder and now has a reoccurrence she believes was caused by a flu shot in the upper arm. She claims that the pain is so intense and so constant that she understands why Gary killed himself. This is yet another prime example why it’s a bad idea to keep guns in the house. Suicide has been described as a permanent solution to a temporary problem and certainly there are other ways to control physical pain.

I met Gary Gladstone in 1980 when my Newwave band Womanizer hired the eight track studio he owned in Hollywood to record our four song demo tape. He liked us enough to make us a very generous offer; if we would arrange one of his original songs he would give us free unlimited recording time to record it and one of our songs. He would then release them as a single ( a seven inch, 45 rpm phonograph record) on his own record label. He had made this offer to other bands and I own one of their records.

I chose his song, Paradise, which he described as having been written for a singer with whom he was smitten. Feeling rejected by her, he felt that turning the love song he had written for her into a hit would suffice. I arranged the song which I had only heard as a folk style song recorded by him on acoustic guitar in the style of a song by a band like The Moody Blues, one of the most romantic of Classic Rock bands.

Paradise became the most popular song, among the ladies, of our live shows but he never made good on his promise to record one of our originals because a much more popular group, The Bus Boys, took him with them on their national tour.

The Bus Boys had a huge hit with The Boys Are Back In Town that was used in the Eddie Murphy movie 48 Hours and Gary had recorded their demos. He toured with them as their soundman and he mixed their performance on Saturday Night Live so I never held it against him that he left before recording us.

We kept in touch over the years and I would occasionally attend his birthday parties where I was always pleasantly surprised at his large guest lists that included well known professional comedians among his friends.

He had been working on a sound processing system over the last few years and turned from audio recording to video recording working with the Meatballs Of Comedy troupe and our show, The Tooners’ Rock & Roll Rehab.

His recent facial touch up worked would indicate he was not in a mood to give up on life and having seen him recently at our shows, at dinner and for a video demo he was taping for this sound processor always showed him to be in his normal upbeat, busy and optimistic frame of mind.

Gary Gladstone was one of those people who was a unique character which is increasingly rare and a fellow adventurer in the world of Rock & Roll. Ironically, Gary was the first one to record my band  many years ago and because of Pat Meehan's own shoulder problems the shows Gary just videoed for us may mean he is also the last one to record us. The songs he wrote himself as well as the songs of others he recorded are what he's left behind to live after him.


Green Day’s American Idiot Is No Alfred E. Neuman, He Is Worried

There was an article in the Times about Green Day's musical, American Idiot, coming to L.A. They are worried because unlike Broadway which gets a lot of walk-ins and tourists, the rest of the country’s theater audiences are subscribers who don't like Punk Rock. They even had people walking out on the Broadway production after the first song. They're hoping the subscribers stay home and give their tickets to someone who will like the show. Theater and rock don't really mix that well, yet.

Jersey Boys, a musical about Frankie Valli and The Four Seasons, has Sixties style pop and doo-wop and was a hit and of course Dreamgirls was a big hit and featured Motown music but the Billy Joel and Beach Boys shows didn’t do very well and Yoko’s Lennon musical was a huge bomb.

Do tribute bands constitute theater? Tim Piper and Working Class Heros’ show, Just Imagine, does well in its L.A. engagements but at what point does a concert become musical theater? Just Imagine has more dialogue, premise and dramatic arc than a mere concert but does a show like David Brighton’s David Bowie show which has costume changes and involves a musical Bowie history lesson qualify as theater? Certainly, Las Vegas has shows that are strictly singing and dancing without any kind of story to them as Vegas Strip show staples.

How old am I that I now have reached the point in time when Punk Rock is being regurgitated for musical theater? Rock of Ages has Eighties Metal so I imagine the next phase has got to be Rap, The Musical. Ugg!

Happy Saint Patrick's Day

Tomorrow, March 17th is Saint Patrick's Day, the day the Irish celebrate Saint Patrick getting all the snakes out of Ireland. Is there a comparable legend for the lack of snakes in Hawaii? Maybe Saint Ho Day to celebrate singer Don Ho's driving all the tourists away. Here in America the band Flogging Molly is the Irish National Band the way Don Ho was the Hawaii State Singer.

The Beach Boys are, of course, the Southern California State band (Northern California has its own bands and technically isn't its own state anyway). Lynyrd Skynyrd is often considered the Alabama State band although I don't believe they are from Alabama but rather from Florida. Sweet Home Alabama is no more their home than Margaritaville is Jimmy Buffett's home town.

Flogging Molly is an 'Irish Folk - Punk' band so they are the clear favorites in anything Irish oriented. Scorsese used their music in his Boston / Irish gangster film, The Departed, so their street cred is solid. I suppose they are Irish like Bob Marley is Jamaican rather than the way U2 are Irish. U2 just happens to be a band of musicians from Ireland but they don't sound particularly Irish. But here's the real kicker; Flogging Molly was founded in Los Angeles in 1997. Oh well, I guess we're all a wee bit Irish on Saint Patty's Day. Drink responsibly and no, I'm NOT your father, jerk.