The Garage Band Handbook - Chapter Six: Promotion Part Two

Radio air play will most likely be impossible as they are heavily influenced by the major labels to play their records, not yours. Especially if you don’t have CDs available to be purchased in the local record stores. But if what you want is to have the people that listen to a particular radio station hear your music, find out where the radio station is having a live remote broadcast which is something radio stations love to do because they get paid to do it, go down to their live remote with a box of tapes and hand them out to the crowd. Tell the crowd the station is going to be playing your songs and to call the station to request them. It will be the stations hard core listeners that show up to their live remotes and they’re the ones you want to come see you when you play. Distributing a song or two on cassettes in the surrounding neighborhoods where you’re going to be playing is another excellent way to promote yourself and your live shows.        

    People don’t get excited about a band by reading about their music, they get excited by hearing their music. People love a free sample. Give them a free sample and then they’ll already know who you are and what your music’s like before you even play the gig. Once they’re at the gig, and they show up specifically to see you not just because they strolled in off the street, they’ll be much more likely to purchase your full length cassette or CD or T-shirt or stickers.

Greg Piper - Rock N Roll Addict - Sound Check

Hi, I'm Greg and I'm a Rockaholic! Ok, It's gig day.  Before the doors open and the crowds come rushing in to get good seats to see their favorite rock n roll show, the band has already spend hours in advance getting their gear in place and adjusting their sound for the room.  What the fans don't see is the fine tuning of what goes on before the show . . . the sound check!

I've always said, "The band sounds as good as the gear and the sound engineer!"  But it takes both.  You can have great equipment, but a lousy mix or inadequate or "tone deaf" sound engineer can make it sound real bad, believe me.  I can always tell the quality of the sound engineer within the first few minutes.  If he's great, I don't tell him much during sound check.  I let him do his thing.  I may suggest a certain basic mix and what the levels should be of the different musicians for the overall result of the sound.  That works with a real pro engineer.   But, I've dealt with some of the worst sound engineers and sometimes it's like treading water to even suggest the desired results you want.

The best way to get the sound the way you want it is to have your own sound engineer.  Obviously, he or she knows your sound.  But that comes with a cost and luxury you may not afford, which leads to my next favorite saying, "We get paid the same whether we sound good or not, so why pay more?"  So, if you don't have your own sound engineer, you need someone in the band go out and stand by the sound engineer and assist.  

During the sound check you should play the same 4 or 5 songs of different variety and instrumentation to get the levels and sound correct for all those songs.  One song may be a ballad, another may be with heavy guitar, another may have strings, and another may have harmonies.  You want to go over them all, the same songs for ALL SOUND CHECKS to help make things consistent and easy.  And this is really important . . . make sure the musicians are playing the instruments during sound check that they will also be playing during the show.  Otherwise, WHAT'S THE POINT???

What if the guitar is too loud on stage?  Simple - turn the amp sideways and put a clear shield in front of it, if necessary.  For bands that insist on having the amps facing the audience, lean the amps upward so the sound goes more to your ears, making it music louder for you but not the audience.  If you are mic'd, the engineer can always make you louder in the house if need be.  There is nothing worse than a vocalist being drowned out by Mr. Guitar hero.  

Then there's the issue with monitors . . . . what the musicians hear on stage, but not what the audience hears.  Every musician has their preference as to what they want to hear.  I, personally like to hear just my vocal.  I don't need band mix.  I play bass and stand near the drums to hear him, so I don't need to hear more.  Others like to hear everyone evenly as if they're listing to the song as it should sound to the audience.  It is of most importance for every musician to get the mix in their monitor that makes them most comfortable.

Finally, when sound check is over, DO NOT MAKE ANY CHANGES instrumentally or otherwise.  If you want to make changes, do it during sound check.  After all, that is what sound check is all about.  If you're going to make changes after the sound check, what's the point of sound checking in the first place?  DUH!

Happy rocking!

Dick Clark (November 30, 1929 – April 18, 2012)

This Rock & Roll Rehab blog seems to be turning into the Dead Rocker Obituary Blog. At 82 years old and after suffering a major stroke years ago, the passing today of TV / rock & roll legend Dick Clark is hardly a surprise but it's sad none the less.

As a huge fan of the original British Invasion I was a loyal viewer of Clark's American Bandstand in the mid-sixties which was one of the premier showcases for the new music. My favorite American band of the time, Paul Revere and the Raiders, co-hosted another one of Dick Clark's shows, Where The Action Is.

A neighbor of mine who owned a large video sound stage facility which Dick Clark Productions used to video tape their various award shows invited me to his birthday party held at the studio. At the party a cameraman walked around interviewing the guests who gave their birthday wishes to the birthday boy with the video projected live onto a huge screen. I suppose it was because of the live video projected interviews that I thought of Dick Clark's New Year's Eve interviews in Time Square so when the cameraman stuck the camera in my face I said, "Here we are in Time Square waiting for the ball to drop. Oh, there it goes..." Then I looked down at my crotch and said, "And there goes the other ball..." Then as I handed back the microphone to the cameraman and looked back at the screen I saw Dick Clark standing right behind me watching me on the screen. I had no idea he'd be at my neighbor's birthday party and I wasn't making fun of him but my wife thought I did it on purpose.

Dick Clark is one more of the original rockers to leave us and as the spokesman for New Year's Eve his presence will be missed this December 31. Fortunately, the world is scheduled to end on December 21 so no one will be around to miss him this New Year's Eve. See you soon, Dick.

Greg Piper - Rock N Roll ADDICT - HOTELS

Hi, I'm Greg and I'm a Rockaholic! I've traveled the world for the past 25 years playing rock and roll.  At first it was all very exciting.  Pack your bags, shuttle to the airport, fly 35,000 feet over the planet, land and get to the hotel for the night's stay.  Sounds sexy, right?  Well, it is . . .  and it isn't.  Your fantasy-come-true rock n roll world is mixed with the world of reality, which is business.  And your hotel stay is BIG BUSINESS.  

So, you check in and what is the first thing the hotel asks you for?  Your credit card!  Even if the room is pre-paid by the concert promoter, hotels say they need your credit card for incidentals.  What are incidentals, you ask?  Using their telephone, viewing pay-per-view movies, room service and if they have a bar in your room or candies, etc, that.  

So, what do I advise?  DO NOT GIVE THEM YOUR CREDIT CARD!  USE CASH INSTEAD!   If they have your credit card, thy will often double charge you!  It's true!  Many hotels have a general policy to "mistakenly charge for services you did not use!"  If you catch them when you check out, you're usually OK and they will reverse the mistaken charge, but often times you have to hurry out and you just leave the hotel in the morning without checking out. MISTAKE!  

I always tell the hotels I do not have a credit card.  What are they going to do, make me sleep on the street?  No!  I always offer a small CASH DEPOSIT as a last resort.  I also tell them to lock the refrigerator and turn off the phone and PAY TV.   Then I ask them if they charge to use the toilet.  I'm serious.  If they get me mad enough, I'll request a plunger shortly after I check into my room.  Sometimes I even wait a bit before I call.

Hotels are BIG BUSINESS and their main concern is their bottom line.  Notice how much the food costs at their restaurants and room service.  They know you have very few choices and are away from home in an unfamiliar place.  Have you seen hotel room service charges while the deliverer of the service has his hand out . . . 

And don't forget to tip the luggage guy.  They tend to swarm toward you as soon as you arrive.  I carry my own stuff.  

So, if you don't want to come home BROKE from your travels, keep a close eye out for the hotels.  They know where your wallet is.  After all, most of us Rock N Rollers don't get paid the big bucks . . . but , not to complain, playing rock n roll does have it's benefits, right? 

Greg Piper - Rock N Roll Addict - Advancing the Gig

Hi, I'm Greg and I'm a Rockaholic!  I've traveled the world umpteen times and have advanced most of my shows.  What does advancing a show mean?  It's communicating to the venue before the show so that on the day of the show there are fewer surprises.  I say fewer because things never work out exactly as planned.

After you, or your agent gets you a gig, the next thing you should do is get in touch with the venue to say hello and go over any needs both you and the venue may have.  In general we're talking about:
• Confirmation of date and show time
• load in time for band / act
• arrangement of best time for meals and dietary considerations (if applicable)
• get names and contact sound techs, lighting techs, video techs, backline supplier, marketing and hospitality personnel
• go over arrangements for hotel and ground transportation (if applicable)

To make your life easier and more organized you should have prepared in advance the following:
• a diagram or photo of your stage set-up
• lighting cues and positioning
• A rider with your preferences for stage gear, amps + drums
• an input list for anything you may want mic'd
• high quality pdfs or jpegs of your act for publicity
• audio and video promo of your show the venue may need for publicity
• past reviews
• anything important to you and your show
• maybe most important - who pays you and when, etc.

Now, keep in mind you seldom get what you request.  So, being flexible is key.  You get paid the same whether I sound great or lousy.  Two of favorite sayings is  
1  - "You get what you get" 
2 - "it is what it is".  

In essence, getting in touch with the venue in advance (ADVANCING THE GIG) helps to ease their concerns that you are indeed more than just a signature on the dotted line.  You'll find they are in general very pleased with your call.  

Greg Piper - Rock N Roll Airline Travel Tips

Hi, I'm Greg and I'm a Rockaholic!  Airline travel isn't what it used to be, especially for musicians.  Back in the day (before 2001) flying was somewhat exciting and something to look forward to.  There were hardly any baggage fees, you could change your flight plans without penalty, others could use your ticket  without penalty, there was no security strip searches, and you could bring water onto the plane.  Pilots even invited passengers into the cockpit while the plane was flying.  Imagine that!  NOT ANY MORE.  THOSE DAYS ARE GONE FOREVER.

Now, when  you travel by air you have to supply the airlines in advance:
NEW TSA RULES... 
•name per passport
•citizenship
•date of birth

Get the spelling wrong and you may not get on the plane.  Forget to bring your ID to the airport and forget about flying.  

Now, for the cause of safety, count me in for whatever it takes to get me from point A to point B safely.  Search me, take away my liquids, check my ID, do a background check, don't stand in near the cockpit, etc.  All of that I am OK with.  

But, now some airlines are charging you not only for your checked luggage but your carry-ons, too.  Are they kidding?  NO, they aren't.  Problem is you really have no choice in the matter because there is no other way to get there in a timely fashion.  Whatcha gonna do?  Take a ship?  Take an train to get from LA to NYC in 4 days at twice the cost?  The Airlines got you by the balls and they know it.  Too bad they act like it, too.

Here's a tip that may help out a guitar carrying airline traveler.  There is nothing worse than an Airline employee (straight out of McDonalds) taking your instrument away before you board the plane because they tell you it won't fit.  Happens all the time.  You have 3 options:
1 - Let them take it away and put it in the belly of the plane where all the other luggage is and see if it gets back to you in one piece . . . 
2 - Go out and spend hundreds on a hard shell case and check the guitar with the other luggage and see if it gets back to you in one piece (or if it even arrives at your destination at all)
3 - My choice - have your guitar in a soft case so that when the gate agent tells you she/he will have to check the instrument, tell them nicely "This is a very expensive instrument and I would like to see if I can carry it on the plane.  If it won't fit, I will gladly let you check the instrument with the other luggage."  This works 90% of the time.  The other very important tip is to try to be one of the first ones on the plane because if everyone else is already on the plane there is no way your instrument will fit (unless you want to bend it).  Sometimes, after the gate geek adheres the tag on the instrument to be checked, I'll just tear it off after I get past them and just carry the instrument onto the plane.  I find the Flight Attendants are way nicer then the misinformed gate jerks and they usually accommodate me.

There is nothing worse than your ax getting lost or destroyed by the airlines on the day of your gig.  Nothing!

Greg Piper - Rock N Roll Bassist Plays With A Pick

Hi!  I'm Greg and I'm a Rockaholic! 
To play with a pick or not?  OK, when I first started playing bass I plucked the strings with my fingers and did not use a pick.  Why?  Because I saw other bass players playing with their fingers, so I did the same thing.  We were doing a theatrical musical in Colorado and after the show I'd hang in the bar of the hotel where they had a great jazz trio consisting of a  pianist/vocalist, a stand up bassist and drummer.  The bassist was great.  He never played the same riffs on the same songs twice.   I was blown away by his talent.  Not only was he amazing but he played a fretless bass.  How he ever knew where to find the exact notes on his bass was beyond me.  But I marveled at his playing and his smooth style.  His solos were awesome.  Yes - BASS SOLOS!   It worked great in this jazz trio.  No electric guitar.  No electric keyboard and the drummer played with brushes or else very lightly.  I could hear everything beautifully.

So, for the first few years I plucked with my fingers, too.  But soon a great drummer by the name of Jim Lafrano joined PIPER, my original and cover band, and could this guy play drums.  He was great!  He was a hard hitter and we suddenly became a loud band.  We blew out several PA speakers, which were guaranteed for life . . . so we had to keep replacing the speakers until finally the music store took back the speakers and gave us our money back and said no more!  

The higher volume of our band made me do three things - go out and buy a big-ass bass amp, buy a new bass guitar that had more of a cut-through tone to it,  (I switched from a Precision Bass to a MusicMan Bass, which I still play today) and I switched to playing with a pick.  I've been playing with a pick ever since.  After time I developed my own rock and roll style.  If it's rock n roll, I'm in!